| The prince blushed painfully in the darkness, and closed his right hand tightly, but he said nothing. |
They stopped on the landing, and rang the bell at a door opposite to Parfen’s own lodging.
The undoubted beauty of the family, _par excellence_, was the youngest, Aglaya, as aforesaid. But Totski himself, though an egotist of the extremest type, realized that he had no chance there; Aglaya was clearly not for such as he.
“Look here, Parfen; if you love her so much, surely you must be anxious to earn her respect? And if you do so wish, surely you may hope to? I said just now that I considered it extraordinary that she could still be ready to marry you. Well, though I cannot yet understand it, I feel sure she must have some good reason, or she wouldn’t do it. She is sure of your love; but besides that, she must attribute _something_ else to you--some good qualities, otherwise the thing would not be. What you have just said confirms my words. You say yourself that she found it possible to speak to you quite differently from her usual manner. You are suspicious, you know, and jealous, therefore when anything annoying happens to you, you exaggerate its significance. Of course, of course, she does not think so ill of you as you say. Why, if she did, she would simply be walking to death by drowning or by the knife, with her eyes wide open, when she married you. It is impossible! As if anybody would go to their death deliberately!”
She spoke angrily, and in great excitement, and expected an immediate reply. But in such a case, no matter how many are present, all prefer to keep silence: no one will take the initiative, but all reserve their comments till afterwards. There were some present--Varvara Ardalionovna, for instance--who would have willingly sat there till morning without saying a word. Varvara had sat apart all the evening without opening her lips, but she listened to everything with the closest attention; perhaps she had her reasons for so doing. “It’s all a joke, mamma; it’s just a joke like the ‘poor knight’--nothing more whatever, I assure you!” Alexandra whispered in her ear. “She is chaffing him--making a fool of him, after her own private fashion, that’s all! But she carries it just a little too far--she is a regular little actress. How she frightened us just now--didn’t she?--and all for a lark!”| He had spoken in a whisper all the way. In spite of his apparent outward composure, he was evidently in a state of great mental agitation. Arrived in a large salon, next to the study, he went to the window and cautiously beckoned the prince up to him. |
The prince certainly had darted a rather piercing look at her, and now observed that she had begun to blush violently. At such moments, the more Aglaya blushed, the angrier she grew with herself; and this was clearly expressed in her eyes, which flashed like fire. As a rule, she vented her wrath on her unfortunate companion, be it who it might. She was very conscious of her own shyness, and was not nearly so talkative as her sisters for this reason--in fact, at times she was much too quiet. When, therefore, she was bound to talk, especially at such delicate moments as this, she invariably did so with an air of haughty defiance. She always knew beforehand when she was going to blush, long before the blush came.
| “He is dying, yet he will not stop holding forth!” cried Lizabetha Prokofievna. She loosed her hold on his arm, almost terrified, as she saw him wiping the blood from his lips. “Why do you talk? You ought to go home to bed.” |
| “Very well then, stay at home,” said Mrs. Epanchin, “and a good thing too, for Evgenie Pavlovitch is coming down and there will be no one at home to receive him.” |
“She was a Countess who rose from shame to reign like a Queen. An Empress wrote to her, with her own hand, as ‘_Ma chère cousine_.’ At a _lever-du-roi_ one morning (do you know what a _lever-du-roi_ was?)--a Cardinal, a Papal legate, offered to put on her stockings; a high and holy person like that looked on it as an honour! Did you know this? I see by your expression that you did not! Well, how did she die? Answer!”
| “Yes, I did; I am thinking of it.” |
| “Are you a patient man, prince? I ask out of curiosity,” said Mrs. Epanchin. |
After a formal introduction by Gania (who greeted his mother very shortly, took no notice of his sister, and immediately marched Ptitsin out of the room), Nina Alexandrovna addressed a few kind words to the prince and forthwith requested Colia, who had just appeared at the door, to show him to the “middle room.”
“How was I to tell?” replied Rogojin, with an angry laugh. “I did my best to catch her tripping in Moscow, but did not succeed. However, I caught hold of her one day, and said: ‘You are engaged to be married into a respectable family, and do you know what sort of a woman you are? _That’s_ the sort of woman you are,’ I said.”
“‘I’m off,’ said Davoust. ‘Where to?’ asked Napoleon.
“Executions?”
“Come, come; what’s all this?” cried General Ivolgin, suddenly and angrily, coming close up to Rogojin. The unexpectedness of this sally on the part of the hitherto silent old man caused some laughter among the intruders.“Rogojin only leaned his elbow on the table and silently stared at me. So passed two or three minutes, and I recollect that his silence hurt and offended me very much. Why did he not speak?
| “Did you read them?” asked the prince, struck by the thought. |
| She fell senseless into his arms. |
“I confess I came here with an object. I wished to persuade Nastasia to go abroad for her health; she requires it. Both mind and body need a change badly. I did not intend to take her abroad myself. I was going to arrange for her to go without me. Now I tell you honestly, Parfen, if it is true that all is made up between you, I will not so much as set eyes upon her, and I will never even come to see you again.
| He passed under the gateway and into the street. The crowds of people walking about--as is always the case at sunset in Petersburg, during the summer--surprised him, but he walked on in the direction of Rogojin’s house. |
| “Artists always draw the Saviour as an actor in one of the Gospel stories. I should do differently. I should represent Christ alone--the disciples did leave Him alone occasionally. I should paint one little child left with Him. This child has been playing about near Him, and had probably just been telling the Saviour something in its pretty baby prattle. Christ had listened to it, but was now musing--one hand reposing on the child’s bright head. His eyes have a far-away expression. Thought, great as the Universe, is in them--His face is sad. The little one leans its elbow upon Christ’s knee, and with its cheek resting on its hand, gazes up at Him, pondering as children sometimes do ponder. The sun is setting. There you have my picture. |
| “You see, I am going into the country myself in three days, with my children and belongings. The little one is delicate; she needs change of air; and during our absence this house will be done up. I am going to Pavlofsk.” |
“No! I trust you--but I can’t understand. It seems to me that your pity is greater than my love.” A hungry longing to speak his mind out seemed to flash in the man’s eyes, combined with an intense anger.
“Yes, I have just read it.”
“Oh no, he didn’t! I asked him myself. He said that he had not lived a bit as he had intended, and had wasted many, and many a minute.”
| “Gentlemen, gentlemen, let me speak at last,” cried the prince, anxious and agitated. “Please let us understand one another. I say nothing about the article, gentlemen, except that every word is false; I say this because you know it as well as I do. It is shameful. I should be surprised if any one of you could have written it.” |
“Quite so,” replied the general, “and what can I do for you?”
| “So we will not say anything about it, or let them take her away?” |
The prince was watching his guest, if not with much surprise, at all events with great attention and curiosity.
| “The repugnance to what must ensue almost immediately, and the uncertainty, were dreadful, he said; but worst of all was the idea, ‘What should I do if I were not to die now? What if I were to return to life again? What an eternity of days, and all mine! How I should grudge and count up every minute of it, so as to waste not a single instant!’ He said that this thought weighed so upon him and became such a terrible burden upon his brain that he could not bear it, and wished they would shoot him quickly and have done with it.” |
“Well, I’m going,” he said, at last, preparing to recross the road. “You go along here as before; we will keep to different sides of the road; it’s better so, you’ll see.”
“I think you might fairly remember that I was not in any way bound, I had no reason to be silent about that portrait. You never asked me not to mention it.”
“It’s a lovely carriage,” said Adelaida.