“What letter do you mean she returned unopened?”
“What, the son of Pavlicheff? And who may this son of Pavlicheff be?” asked General Epanchin with surprise; and looking curiously around him, he discovered that he alone had no clue to the mystery. Expectation and suspense were on every face, with the exception of that of the prince, who stood gravely wondering how an affair so entirely personal could have awakened such lively and widespread interest in so short a time.
“I think you are wandering a little, prince,” Mrs. Epanchin decided, after a lengthened survey of his face; and she tossed the portrait on to the table, haughtily. “No, at his mother’s flat; I rang at Parfen Semionovitch’s door and nobody came.”“No, I had better speak,” continued the prince, with a new outburst of feverish emotion, and turning towards the old man with an air of confidential trustfulness. “Yesterday, Aglaya Ivanovna forbade me to talk, and even specified the particular subjects I must not touch upon--she knows well enough that I am odd when I get upon these matters. I am nearly twenty-seven years old, and yet I know I am little better than a child. I have no right to express my ideas, and said so long ago. Only in Moscow, with Rogojin, did I ever speak absolutely freely! He and I read Pushkin together--all his works. Rogojin knew nothing of Pushkin, had not even heard his name. I am always afraid of spoiling a great Thought or Idea by my absurd manner. I have no eloquence, I know. I always make the wrong gestures--inappropriate gestures--and therefore I degrade the Thought, and raise a laugh instead of doing my subject justice. I have no sense of proportion either, and that is the chief thing. I know it would be much better if I were always to sit still and say nothing. When I do so, I appear to be quite a sensible sort of a person, and what’s more, I think about things. But now I must speak; it is better that I should. I began to speak because you looked so kindly at me; you have such a beautiful face. I promised Aglaya Ivanovna yesterday that I would not speak all the evening.”
All he said and did was abrupt, confused, feverish--very likely the words he spoke, as often as not, were not those he wished to say. He seemed to inquire whether he _might_ speak. His eyes lighted on Princess Bielokonski.
| The prince suddenly approached Evgenie Pavlovitch. |
| “There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!” |
“It’s a lovely carriage,” said Adelaida.
Totski sat and shrugged his shoulders, bewildered. He was the only guest left sitting at this time; the others had thronged round the table in disorder, and were all talking at once.| “Well, then, _let_ him talk, mamma,” said Alexandra. “This prince is a great humbug and by no means an idiot,” she whispered to Aglaya. |
| “Probably when he is alone he looks quite different, and hardly smiles at all!” thought the prince. |
Neither spoke for five minutes.
“Gentlemen, you’d better look out,” cried Colia, also seizing Hippolyte by the hand. “Just look at him! Prince, what are you thinking of?” Vera and Colia, and Keller, and Burdovsky were all crowding round Hippolyte now and holding him down.
“Mamma, what are you saying?” said Alexandra again, hurriedly.“I believe it is the absolute truth.”
The prince stopped.“What nonsense!”
The room they were now sitting in was a large one, lofty but dark, well furnished, principally with writing-tables and desks covered with papers and books. A wide sofa covered with red morocco evidently served Rogojin for a bed. On the table beside which the prince had been invited to seat himself lay some books; one containing a marker where the reader had left off, was a volume of Solovieff’s History. Some oil-paintings in worn gilded frames hung on the walls, but it was impossible to make out what subjects they represented, so blackened were they by smoke and age. One, a life-sized portrait, attracted the prince’s attention. It showed a man of about fifty, wearing a long riding-coat of German cut. He had two medals on his breast; his beard was white, short and thin; his face yellow and wrinkled, with a sly, suspicious expression in the eyes.In a word, the whole place was confined, and a “tight fit” for the party. Gania used to grind his teeth with rage over the state of affairs; though he was anxious to be dutiful and polite to his mother. However, it was very soon apparent to anyone coming into the house, that Gania was the tyrant of the family.
| “You are mad!” he cried, indignantly. |
| “I took a droshky and drove over to the Vassili Ostroff at once. For some years I had been at enmity with this young Bachmatoff, at school. We considered him an aristocrat; at all events I called him one. He used to dress smartly, and always drove to school in a private trap. He was a good companion, and was always merry and jolly, sometimes even witty, though he was not very intellectual, in spite of the fact that he was always top of the class; I myself was never top in anything! All his companions were very fond of him, excepting myself. He had several times during those years come up to me and tried to make friends; but I had always turned sulkily away and refused to have anything to do with him. I had not seen him for a whole year now; he was at the university. When, at nine o’clock, or so, this evening, I arrived and was shown up to him with great ceremony, he first received me with astonishment, and not too affably, but he soon cheered up, and suddenly gazed intently at me and burst out laughing. |
| Parfen was silent. With sad surprise the prince observed that the look of distrust, the bitter, ironical smile, had still not altogether left his newly-adopted brother’s face. At moments, at all events, it showed itself but too plainly, |
“When I am with you you trust me; but as soon as my back is turned you suspect me,” said the prince, smiling, and trying to hide his emotion.
“Ah!” said the visitor, passing his fingers through his hair and sighing. He then looked over to the other side of the room and around it. “Got any money?” he asked, suddenly.To a commonplace man of limited intellect, for instance, nothing is simpler than to imagine himself an original character, and to revel in that belief without the slightest misgiving.
“But I told you she is not at Pavlofsk. And what would be the use if she were?”
| “And meanwhile I have never been able, in spite of my great desire to do so, to persuade myself that there is no future existence, and no Providence. |
| “Yes, but the prince can, because he is clever--cleverer than you are by ten or twenty times, if you like. There, that’s so, prince; and seriously, let’s drop the donkey now--what else did you see abroad, besides the donkey?” |
| “In the other wing.” |
Yet Aglaya had brought out these letters N. P. B. not only without the slightest appearance of irony, or even any particular accentuation, but with so even and unbroken an appearance of seriousness that assuredly anyone might have supposed that these initials were the original ones written in the ballad. The thing made an uncomfortable impression upon the prince. Of course Mrs. Epanchin saw nothing either in the change of initials or in the insinuation embodied therein. General Epanchin only knew that there was a recitation of verses going on, and took no further interest in the matter. Of the rest of the audience, many had understood the allusion and wondered both at the daring of the lady and at the motive underlying it, but tried to show no sign of their feelings. But Evgenie Pavlovitch (as the prince was ready to wager) both comprehended and tried his best to show that he comprehended; his smile was too mocking to leave any doubt on that point.
“Oh, no--no--I’m all right, I assure you!”
| When Colia had finished reading, he handed the paper to the prince, and retired silently to a corner of the room, hiding his face in his hands. He was overcome by a feeling of inexpressible shame; his boyish sensitiveness was wounded beyond endurance. It seemed to him that something extraordinary, some sudden catastrophe had occurred, and that he was almost the cause of it, because he had read the article aloud. |
| “What did she send? Whom? Was it that boy? Was it a message?--quick!” |
| “I don’t know; I--” |
| Keller started, gave an astonished look at the speaker, and thumped the table with his fist. |
| “Are you not ashamed? Are you not ashamed? You barbarian! You tyrant! You have robbed me of all I possessed--you have sucked my bones to the marrow. How long shall I be your victim? Shameless, dishonourable man!” |
The prince bent forward to listen, putting all the strain he could muster upon his understanding in order to take in what Rogojin said, and continuing to gaze at the latter’s face.
| “That same husband of your sister, the usurer--” |
“Oh, I forgive him with all my heart; you may tell him so if you like,” laughed Evgenie.
| These words painfully impressed the whole party; but especially her parents. Lizabetha Prokofievna summoned a secret council of two, and insisted upon the general’s demanding from the prince a full explanation of his relations with Nastasia Philipovna. The general argued that it was only a whim of Aglaya’s; and that, had not Prince S. unfortunately made that remark, which had confused the child and made her blush, she never would have said what she did; and that he was sure Aglaya knew well that anything she might have heard of the prince and Nastasia Philipovna was merely the fabrication of malicious tongues, and that the woman was going to marry Rogojin. He insisted that the prince had nothing whatever to do with Nastasia Philipovna, so far as any liaison was concerned; and, if the truth were to be told about it, he added, never had had. |