“Yes, it’s quite true,” said Rogojin, frowning gloomily; “so Zaleshoff told me. I was walking about the Nefsky one fine day, prince, in my father’s old coat, when she suddenly came out of a shop and stepped into her carriage. I swear I was all of a blaze at once. Then I met Zaleshoff--looking like a hair-dresser’s assistant, got up as fine as I don’t know who, while I looked like a tinker. ‘Don’t flatter yourself, my boy,’ said he; ‘she’s not for such as you; she’s a princess, she is, and her name is Nastasia Philipovna Barashkoff, and she lives with Totski, who wishes to get rid of her because he’s growing rather old--fifty-five or so--and wants to marry a certain beauty, the loveliest woman in all Petersburg.’ And then he told me that I could see Nastasia Philipovna at the opera-house that evening, if I liked, and described which was her box. Well, I’d like to see my father allowing any of us to go to the theatre; he’d sooner have killed us, any day. However, I went for an hour or so and saw Nastasia Philipovna, and I never slept a wink all night after. Next morning my father happened to give me two government loan bonds to sell, worth nearly five thousand roubles each. ‘Sell them,’ said he, ‘and then take seven thousand five hundred roubles to the office, give them to the cashier, and bring me back the rest of the ten thousand, without looking in anywhere on the way; look sharp, I shall be waiting for you.’ Well, I sold the bonds, but I didn’t take the seven thousand roubles to the office; I went straight to the English shop and chose a pair of earrings, with a diamond the size of a nut in each. They cost four hundred roubles more than I had, so I gave my name, and they trusted me. With the earrings I went at once to Zaleshoff’s. ‘Come on!’ I said, ‘come on to Nastasia Philipovna’s,’ and off we went without more ado. I tell you I hadn’t a notion of what was about me or before me or below my feet all the way; I saw nothing whatever. We went straight into her drawing-room, and then she came out to us.
“What is the matter, excellency? I know how to keep my place. When I said just now that we, you and I, were the lion and the ass of Kryloff’s fable, of course it is understood that I take the role of the ass. Your excellency is the lion of which the fable remarks:
“Shut up, Gania!” said Colia.There was a general stir in the room.
On scrutinizing him, the prince soon saw that the general was quite a different man from what he had been the day before; he looked like one who had come to some momentous resolve. His calmness, however, was more apparent than real. He was courteous, but there was a suggestion of injured innocence in his manner. “I have long sought the honour and opportunity of meeting you--much-esteemed Lef Nicolaievitch,” he murmured, pressing the prince’s hand very hard, almost painfully so; “long--very long.” “Why, no, it is hardly the same,” remarked Gavrila Ardalionovitch, with an air of ingenuous surprise.| The rest of the guests (an old tutor or schoolmaster, goodness knows why invited; a young man, very timid, and shy and silent; a rather loud woman of about forty, apparently an actress; and a very pretty, well-dressed German lady who hardly said a word all the evening) not only had no gift for enlivening the proceedings, but hardly knew what to say for themselves when addressed. Under these circumstances the arrival of the prince came almost as a godsend. |
Hippolyte rose all at once, looking troubled and almost frightened.
| “Yes, he’s in church.” |
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
| The prince continued to regard Nastasia with a sorrowful, but intent and piercing, gaze. |
“Yes, yes, yes!” said the prince, once more, nodding his head, and blushing slightly. “Yes, it was so, or nearly so--I know it. And besides, you see, I had not slept the night before, in the train, or the night before that, either, and I was very tired.”
| Feeling that his question was somewhat gauche, he smiled angrily. Then as if vexed that he could not ever express what he really meant, he said irritably, in a loud voice: |
| Evgenie Pavlovitch was silent, but Hippolyte kept his eyes fixed upon him, waiting impatiently for more. |
“You seem to take me for a child, Lebedeff. Tell me, is it a fact that she left him while they were in Moscow?”
“Oh, he won’t shoot himself!” cried several voices, sarcastically.
| Gania seized his head with both hands and tottered to the window; Varia sat down at the other window. |
| III. |
“Let me remind you once more, Evgenie,” said Prince S., “that your joke is getting a little threadbare.”
| “What nonsense!” Lebedeff’s nephew interrupted violently. |
“Come along, Colia, I want to see your father. I have an idea,” said the prince.
All present watched both of them with curiosity.“I was not going to express myself so. But how could you so blind her?”
| She had almost reached the door when she turned round again. |
“I don’t _hate_, I despise him,” said Gania, grandly. “Well, I do hate him, if you like!” he added, with a sudden access of rage, “and I’ll tell him so to his face, even when he’s dying! If you had but read his confession--good Lord! what refinement of impudence! Oh, but I’d have liked to whip him then and there, like a schoolboy, just to see how surprised he would have been! Now he hates everybody because he--Oh, I say, what on earth are they doing there! Listen to that noise! I really can’t stand this any longer. Ptitsin!” he cried, as the latter entered the room, “what in the name of goodness are we coming to? Listen to that--”
“Oh, my good sir, I assure you it’s entirely the same to me. Please leave me in peace,” said Evgenie, angrily, turning his back on him.
“Well? Go on.” “But who else _could_ it be, my very dear prince?” repeated Lebedeff, as sweet as sugar again. “If you don’t wish me to suspect Mr. Burdovsky?”| “You seem to take me for a child, Lebedeff. Tell me, is it a fact that she left him while they were in Moscow?” |